LocationHiding in a cake, left in green city called New A... something.
Posted 05 August 2012 - 11:01 AM
The topic should be clear enough. What is your favorite game soundtrack composer?
Please, if possible, try to include some of his/her music as well.
I'll start. My favorite game soundtrack composer is Jeremy Soule. He made a lot of amazing soundtracks (Total Annihilation and Supreme Commander, Elder Scrolls, just to name a few), but the one from Guild Wars is my favorite. Enjoy the music.
So, who is your favorite composer? Any fans of Frank Klepacki, or Paul Romero like me around here?
There are quite a few that are very good. It's hard to say who my one favorite is, so I'll say one that hasn't been mentioned yet: Nobou Uematsu. Definitely one of the best.
Wierd. I pretty much hated ME3 soundrack. Too much drums and "sudden" brass explosions.
Much like with the child cutscenes I found attemts to stir up some emotions too primitive and clumsy, often causing an opposite reaction. The only really good track there was by Clint "I wrote Lux Aeterna" Mansell
http://www.youtube.com/watch?v=dXJRlWdjjRk
Anyway, my voice goes to Jesper Kyd. He did a ton of game scores including all Assassins Creed games, Hitman series, MDK2, Borderlands etc. I don't like all his stuff, but I enjoy his creative approach rather than classic tear jerk/adrenaline pump techiques which are often overused in game OSTs. Also he uses great variety of instruments and isn't shy about vocals
Recently I was very pleasently surprised by the Witcher 2 soundtrack. Between studios reliance on local polish talent and relatively low budget I was expecting some generic fantasy fluff. Instead soundtrack by Adam Skorupa & Krzysztof Wierzynkiewicz was AWESOME. Not quite enough material to call them best game composers, but the level of material was top notch.
variety of instruments and isn't shy about vocals
http://www.youtube.com/watch?v=d_jizNCiInw
Also an honorable mention to Stuart Chatwood for Prince of Persia SoT. not my favorite ever, but the first time I stopped to appretiate games music seperately from the game itself
variety of instruments and isn't shy about vocals
LocationHiding in a cake, left in green city called New A... something.
Posted 06 August 2012 - 06:52 AM
Slit, on 06 August 2012 - 06:23 AM, said:
Wierd. I pretty much hated ME3 soundrack. Too much drums and "sudden" brass explosions.
Much like with the child cutscenes I found attemts to stir up some emotions too primitive and clumsy, often causing an opposite reaction. The only really good track there was by Clint "I wrote Lux Aeterna" Mansell
Recently I was very pleasently surprised by the Witcher 2 soundtrack. Between studios reliance on local polish talent and relatively low budget I was expecting some generic fantasy fluff. Instead soundtrack by Adam Skorupa & Krzysztof Wierzynkiewicz was AWESOME. Not quite enough material to call them best game composers, but the level of material was top notch.
variety of instruments and isn't shy about vocals
Mass Effect 3 was made for the masses. The word has spread and EA are the kings at squeezing the most out of the last games of the series, while destroying the game itself. ME 3 came out pretty good even though it is in that category.
As for the Witcher 2 soundtrack, it's a different culture, so it's normal to expect something "different".
LocationHiding in a cake, left in green city called New A... something.
Posted 06 August 2012 - 12:50 PM
ultra1437, on 06 August 2012 - 12:40 PM, said:
I also love whoever did the C&C series soundtracks. Loved RA3 and Generals/ZH's. C&C3 was pretty much the only one i didn't care for though.
Nice to see another Jeremy Soule fan here. I would suggest listening to some of his older pieces, as they are (in my humble opinion) a bit better than what he did with Skyrim.
And the soundtrack in Red Alert 3 was composed by James Hannigan and Timothy M. Wynn, except for the Hell March 3 itself, which was made by Klepacki. Generals had the theme composed by Bill Brown (composer for many Tom Clancy's games) and Mikael Sandragen.